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The fun little touches include a giant Instagrammable and TikTok-able “H” on the wall right inside the main entrance, “where fans can let everyone know on their socials where they are and what artist they’re going to see,” says Biasutti, as well as extras that most fans won’t get to see.
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History also has the ability to livestream and record, and is equipped with cameras “located strategically throughout the venue for speaking engagements, like TED Talks,” he says. You could be standing directly across from the stage and still have a great view.” You could be at any point, any area of the room, and you’re still this close to the stage. “The curve is mostly to create the best live experience for fans.
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“What I tell artists when they come in and preview the stage is that you can see the facial expressions of the person at the very back of the room, the way that it’s designed,” Biasutti claims. The club has a 22-foot x 40-foot stage with a permanent LED wall, and faces a two-level hall, the lower level accommodating 2202 people and the curved mezzanine 351, for a total capacity of 2553. Swallow/Thornton Tomasetti was the acoustic consultant. The architect was IBI Group, with sound design by PRG and its lead engineer Jon Halliwell. History was created by DesignAgency in consultation with Live Nation Canada and Drake. “I’d love to see a symphony on this stage,” he adds. Biasutti says it’s suitable for concerts of all genres as well as private weddings and corporate functions. Unlike Drake’s members-only Sher Club inside Scotiabank Arena, described by Toronto Life as having a “vampire-in-Vegas vibe,” or his custom-built mansion in the prestigious Bridle Path, described in an Architectural Digest feature as “a marvel of old-world craftsmanship, constructed of limestone, bronze, exotic woods, and other noble materials,” History’s interior is plain and timeless. Bleachers perform opening night at History in Toronto Tom Pandi